{"created":"2023-06-20T14:46:09.984326+00:00","id":340,"links":{},"metadata":{"_buckets":{"deposit":"f1b8ddd6-82de-4a70-8157-1b6c207bc25d"},"_deposit":{"created_by":10,"id":"340","owners":[10],"pid":{"revision_id":0,"type":"depid","value":"340"},"status":"published"},"_oai":{"id":"oai:takushoku-u.repo.nii.ac.jp:00000340","sets":["2:27:28:69"]},"author_link":["281"],"control_number":"340","item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2020-03-25","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"295","bibliographicPageStart":"279","bibliographicVolumeNumber":"142","bibliographic_titles":[{"bibliographic_title":"拓殖大学語学研究"},{"bibliographic_title":"Takushoku language studies","bibliographic_titleLang":"en"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"アメリカ社会を理解するためのテクストとして映画を使用する場合,どのようなトピックをどのような切り口で扱うのが効果的だろうか。本稿では映画『フォレスト・ガンプ一期一会』をテクストとし,アメリカがどのように描かれているかを考察する。1994 年に製作されたこの映画は,1950 年代から1990年代はじめにかけてのアメリカ社会を背景として,一南部人の半生を描いたものである。20 世紀後半の社会の動きを知るだけでなく,1994 年当時の社会にスポットを当て,この映画が製作された土壌について考察することもできる。主人公が南部人であることから,取り上げるトピックは南部の地域性,人種問題,反体制運動の3 点とし,そのトピックを互いに関連させながら映画を解釈していく。それにより,映画に描かれているアメリカの保守的文化を浮かび上がらせ,それを取り巻く,或いは対立する動きを読み取っていく。アメリカ社会の一側面を提示することが本稿の狙いである。","subitem_description_language":"ja","subitem_description_type":"Abstract"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"拓殖大学言語文化研究所"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"13488384","subitem_source_identifier_type":"PISSN"}]},"item_10002_subject_21":{"attribute_name":"日本十進分類法","attribute_value_mlt":[{"subitem_subject":"778.253","subitem_subject_scheme":"NDC"}]},"item_10002_text_24":{"attribute_name":"種別","attribute_value_mlt":[{"subitem_text_value":"研究ノート / Study 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